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Jaipur-
A Tour

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The
capital of the modern state of Rajasthan, Jaipur is a modern city
built according to the specifications laid down in ancient
architectural texts. Known as the pink city on account of the flush
colour of its sandstone palaces, it is a major centre for handicrafts.
Its former capital, Amber, consists of fortifications with an
interesting range of highly decorated public and private apartments.
Administration
Setup:After
the formation of new Dausa district, there are 13 tehsils and the same
number of Panchayat Samities. The total number of towns are 14.
Languages
: Rajasthani, Hindi, Urdu,
English
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Sights to
see
Sightseeing
in Jaipur:Visitors
to Jaipur are spoilt for choice since there is so much to see. Not
only are the city's forts, palaces, gardens and temples spectacular,
each proves a rewarding experience in itself because they can keep
you absorbed for long hours at a stretch.
Amber
:The
Kachchawahas ruled from Amber, 11 km from Jaipur, for seven
centuries. With a history so old, it is not unexpected that there is
a lot of the past that can be traced in its archaeological history.
While many of the very early structures have either disappeared or
been ruined, those dating from the 16th century on are in a
remarkable state of preservation. Amber as it exists now is the
handiwork of three of the kingdom's rulers that include Man Singh,
and Jai Singh I and II. Approached from a step ramp, visitors ride
up on elephant back, entering through the grand Singh Pol gateway
and continuing to Jaleb Chowk, the courtyard where they disembark
form the pachyderm. From here, they are faced with two flights of
steps, one leading to the Shila Mata complex with its enshrined
image of the goddess, and the other to the main palace
complex.Within the complex, Ganesh Pol, an imposing gateway painted
with images of the elephant-headed god, Ganesh, takes pride of
place, Also a part of the complex are the Diwan-i-Am or hall of
public audience with its spectacular display of pillars. The typical
merging of Rajput and Mughal architectural styles is captured in the
Sukh Niwas and Jas Mandir apartments, and the Charbagh garden with
its perfectly proportioned landscaping. A highlight is the pierced
screen windows which offer views from points of vantage, as well as
the shimmering mirrors encrusting the walls of the Sheesh Mahal.
Seeral other gardens and pavilions within the sprawling spread of
the ramparts offer enough scope for investigating medieval
lifestyles at leisure.Beyond the ramparts, the old city, once the
abode of the aristocracy, has a wounderfully medieval flavour,
though it has few buildings of majestic proportion that are still
extant. However a walk through the rambling lanes will reap rich
rewards for the curious. Besides a large number of temples, there
are also stepwells, memorials and townhouses. There is a lot more to
Amber than its splendid fort. Set in a picturesque location, Amber
is a fascinating blend of Hindu and Muslim architecture. Built in
the 16th century by Raja Man Singh, it sprawls on the hillside. Its
construction was started by Man Singh I in 1592 and completed by his
descendant Jai Singh I.
City Palace:As
may be expected, the City Palace complex lies at the heart of the
city. Getting in is simpler than it once was. Though the erstwhile
maharaja and his family and close friends use the triple-arched
Tripolia Gate to enter their section of the palace, mot visitors are
ushered in through Atish Pol which is located close to the royal
stables. Cross from here to Chandni Chowk or Moonlit Square, and
then on to Ginda Ki Deorhi or Rhinoceros Gate. At the heart of the
complex is the seven-tiered Chandra Mahal where the erstwhile royal
family is still in residence, though only a small part of the
apartments are occupied. However, it is only the buildings around
Chandra Mahal that are open to the public, and these also form part
of a museum which includes everything from grand outfits (including
one with 18 kilos of golden thread woven into it) to swords and two
silver urns that are believed to be the largest silver objects in
the world. These are housed in the Mubarak Mahal and the Diwan-i-Am
respectively. Through Singh Pol or Lion Gate, visitors can approach
the Diwan-i-Khas and Diwan-i-Am, where the maharaja's private and
public courts would be held. The architecture seems to consist of a
number of arched, pillared halls, while courtyards with painted
doorways are a prominent feature.In the heart of the city is
situated the City Palace, a blend of Rajasthani and Mughal
architecture. The City Palace is marked by projecting balconies,
arches on slender pillars, and ornate entrances. There is a huge
paved courtyard flanked by apartments from three sides. The place is
now a museum except for one section where the erstwhile royal family
still lives. The palace cum museum is constructed in the fortified
campus style and covers more than half of the old city. Timings -
9.30 am. to 4.45 pm. Entry fee - Rs.35/- for Indians and 110/-for
Foreigners.
Gaitore:Located
off the Jaipur-Amber road, Gaitore is the final resting place for
the maharajas of Jaipur. Set in a narrow valley, the cenotaphs of
the former rulers consist of the somewhat typical chhatri or
umbrella-shaped memorials. Of special mention is Jai Singh II's
chhatri because of the carvings that have been used to embellish it.
Galta Ji:A
popular site with pilgrims, Galta Ji's hilly location is full of
surprising spires and peaks. Some of the temples here are quite old,
and a sun temple is perched atop the highest point of the hill.The
temples of galta is 100m above Jaipur to the east, a 2.5 km. climb
from Suarj Pol. This is the plaxe where the great sage Galav is
supposed to have lived and performed his penance. Here the water
flowing through the mouth of a carved stone cow, the Gaumukh fills
seven tanks. This water is believed to be sacred and have curative
powers. The water is claimed to be several elephants deep. In the
temples are the images of Vishnu, Brahama, Garlo Rishi,
Shankaracharya, Parvathi and Ganesh and note-worthy among them is
the temple of the Sun God. The small temple of the Sun god, built by
Diwan Kriparam on top of the highest peak, is visible form all parts
of the city.
Govind Dev
Ji Temple:A
part of the City Palace complex, this Krishna temple is highly
revered by the erstwhile royal family. The image brought from
Vrindaban is housed within the sanctum of this spireless temple.
Hawa Mahal:Located
to one side, but a part of the City Palace complex. Hawa Mahal is
best viewed from the street outside. If it were not for the bustling
bazaar all around, it would have been easy to mistake it for a film
set, so exquisitely is it proportioned, and so incongruous is its
delicacy. Hawa Mahal consists of five tiers of corridors on the
inside, with pierced screen windows that overlook the street below.
It is believed the women of the royal zenana would sit concealed
behind these screens to see life in the city beyond the walls of the
palace.About Hawa Mahal: The city of Jaipur reflects a clever
amalgamation of the Rajput and Mughal styles, which has given this
city a unique character. Being close to Delhi and Agra, and the fact
that its rulers were powerful members of the Mughal durbar (court),
ensured that its rulers kept the special Mughal touches of
filigreeing marble and sandstone alive. If one were to select the
most outstanding of all buildings in the walled city, or the most
unusual, then the Hawa Mahal would easily stand out. Built in 1799
by Maharaja Sawai Pratap Singh, this remarkable structure adjoins
the outside of the City Palace wall. Sawai Pratap Singh was a great
devotee of Lord Krishna and he dedicated this mahal to the Lord, its
intricate exterior wall looks like a mukut (crown), which adorns
Lord Krishna's head. It overlooks one of the main street and lies
sandwiched between more prosaic buildings. This five-story,
pyramid-shaped structure is made up of small casements, each with
tiny windows and arched roofs with hanging cornices, exquisitely
modeled and carved. Its façade makes Hawa Mahal look more like a
screen than a palace. Its top three stories are just a single room
thick but at the base are two courtyards. It is a fifty-foot high
thin shield, less than a foot in thickness, but has over 900 niches
and a mass of semi-octagonal bays, carved sandstone grills, finials
and domes, which give this palace its unique façade. There is no
definite record as to why Hawa Mahal was built, only conjecture. It
certainly was not meant for residential purposes. That becomes clear
if one were to view this unusual structure from the rear side. he
Hawa Mahal, the "Palace of the winds" was designed as a
window to the outside world for these zenana women who led
cloistered lives in the closed courtyards and apartments behind it.
The 953-latticed windows built tier built upon tier in a fragile
lace- like effect offered a perfect view of the road below while
concealing the women from the people outside. The alcove design with
carved screen balconies meant the windows caught even the smallest
breeze. The zenana women could pass their day sitting here, hidden
by the screened windows, watching the world go by and have a view of
royal parades and other ceremonials from their airy little perches.
It is a fantastic structure in an odd pyramid shape and it may seem
more like a whimsical folly of the king but in fact there was a
medieval tradition of building palaces where the zenana women could
sit and enjoy fine weather.Entry fee - Rs. 2/-
Jaigarh:Made
famous because of the myths of buried treasure, Jaigarh was defended
by the Mina tribesmen in the Kachchawaha army who once ruled from
this hilly perch. Though the ancestry of the fort is ancient this
military structure was renovated in the 16th and 17th centuries, and
had a cannon foundry on its premises. It is one of the three hilltop
forts that stand sentinel over Jaipur.Jaigarh Fort stands as a guard
for the Amber palaces. The wall of the Fort are spread over three
kilometres and have two massive gates-the Awani Darwaza in the east
and Doongar Darwaza in the south. Jaigarh had a foundry inside were
some of the best cannons in India were cast and many were used by
the Kachwaha kings when they led Mughal armies on expeditions. Among
the armoury displayed here is the world's largest cannon that was
made at this foundry. Jaivan has an ornamented twenty-foot long
barrel wheels that are nine and a half feet in diameter and weighs a
massive fifty tons. Made in 1720 it was never used in war and only
test fired once and it is said the cannon ball travelled a distance
of thirty eight kilometres and the roar of the cannon made many
houses collapse in Jaipur. In Jaigarh there are more barracks than
residential palaces. A temple Kal Bhairav with a an idol in the form
of Lord Shiva in black metal and a garden in Mughal style and an
open Baradari, a garden pavilion called Aram Mandir are some of the
attraction in the simple and unadorned interiors of Jaipur. Jaigarh
has a cleverly designed system of water collection. Large tanks and
reservoirs were used to hold every available drop of rainwater, with
pipes and channels running to it from hills. The highest point a
Jaigarh is the seven storeyed Diya Burj, the turret of lamps from
where one gets a panoramic view of Jaipur and its environment.The
buildings in the fort have dramatic names, like the open piralled
hall called Subhat Niwas and Khilawat Niwas that were used as an
audience hall.Timings - 9:00 am. to 5.00 pm. Entry fee - Rs. 15/-
Jal Mahal:Jal
Mahal was built by Sawai Pratap Singh in 1799 A.D. in the midst of
the Man Sagar lake as a pleasure spot. The lake was formed by
construcing a dam between the two hills by Sawai Man Singh I. During
the winter months one can see a large number of migratory birds at
the lake. A tiny palace romantically located in the middle of a
small lake, this was supposed to be a hunting lodge for the royal
family. It can only be viewed from the banks of the lake.
Jain
Temple:One
of few examples of Jain architecture in Jaipur, located on the Agra
Road, it has 19th century frescos that are exquisite.
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Jantar
Mantar:A
stone observatory, part of the City Palace complex, Jantar
Mantar is one of several other astronomical observatories
created by Maharaja Sawai Jai Singh II (others are in
Delhi, Banaras & Ujjain). These concrete masonry
instruments were used to measure everything from altitude
to time, and map the movement of the planets and the
stars. Jai Singh II had a passion for astronomy and used
astronomical inventions from different cultures in the
creation of these observatories, the largest of which is
in Jaipur.Jaipur's Jantar Mantar is the most famous of
five observatories built by Sawai Jai Singh in India. Jai
Singh was a great admirer of progresses and research made
in the fields of science and technology, but he was
passionate about astronomy. There is a very interesting
story behind the construction of this observatory,
considered as the largest stone observatory in the world.
Sawai Jai Singh sent his emissaries to all parts of the
world before commencing the construction of this
observatory. The emissaries returned with many manuals on
astronomy containing cutting-edge technological
information. One of these manuals was a copy of La Hire's
"Tables". The king ordered the observatory to be
built according to the details contained in this manual.
When the construction ended, for the astonishment of the
king and others, the observatory was 20 seconds more
accurate than the one mentioned in "Table. Only
observatory out of five built by the king in running
condition, Jantar Mantar is located near the gate of City
Palace, Jaipur Near the city Palace is the royal
observatory, built in 1728 by Maharaja Jai Singh who had a
passion for astronomy. Jantar Mantar means 'instrument of
calculation'. At the first glance, Jantar Mantar appears
to be a collection of sculptures. Each construction has a
specific purpose of measuring the positions of the stars,
altitude, azimuth and eclipses. The Brihat Samrat Yantra
sundial aids in the calculation of local and meridian pass
time, the Yantra Raj is made of two large disks suspended
from wooden beams which determine the positions of
constellations. Laghu Samrat Yantra, Dhruva Darshak
Yantra, Narivalaya Yantra, Unnatansha Yantra, Rashi
Yantras, Dakhinovrith Bhitti Yantra, Kapali, Ram, Jai
Prakash, Dignsha are the other Yantras measuring and
calculating positions of various celestial bodies. Timings
- 9 am. to 4.30 pm.daily Entry fee - Rs. 4/-
Lakshmi
Narayan Temple:A
new temple, built entirely of marble, this is a showcase
of the continuing skill of the mason and the
sculptor.Situated in the south of Jaipur, Laxmi Narayan
Temple is one of the many such temples built by wealthy
Birla family in India, thus it is also known as Birla
Mandir. The temple is a great reminder of the secular
traditions India has shown over the centuries. The temple
has been constructed in white marble and has three domes,
each portraying the different approaches to religion. The
temple is situated at the foot of Moti Doongri Fort,
converted as a small palace by Ram Singh II for his wife
Gayatri Devi.
Moti
Doongri:A
small palace, this is a replica of a Scottish castle, and
perches on a hilltop. Once occupied by Maharaja Madho
Singh's son who was confined here, it was also for a while
home to Maharani Gayatri Devi.
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third of the hilltop forts that guard Jaipur, and in a
state of majestic ruin, it has some lovely gardens and
pavilions added after the capital had shifted to Jaipur.
The members of the royal family often used it for summer
excursions and picnics. Nahargarh or the Tiger fort is the
first of the three forts built by the kings of Jaipur.
Built mainly in 1734 by Jai Singh II, it lies 6 km north
west of city Palace and provides some stunning views of
Jaipur down below to the Man Sagar Lake. The imposing fort
harbors many legends and three kings have added their
stamp at different times to the structures within the
fort. In the midst of this lake, is a palatial duck blind,
which was used for shooting parties by the erstwhile royal
family. A royal retreat for the Maharanis, it was also
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Ram
Niwas Bagh:A
garden planned by Maharaja Ram Singh in the 19th century
as a famine relief project, this extensive park consists
of a zoo, aviary, herbarium museum and sports complex. An
added attraction is Albert Hall, designed by Sir Swinton
Jacob, a British architect who created palaces for may of
the rulers of Rajasthan, and whose experiments with
Indo-Saracenic architecture combined elements of English
and north-Indian architecture. Albert Hall is a museum and
houses many curiosities.
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Sisodia
Rani Ka Bagh:In
the 18th and 19th centuries, the royals and the nobles
laid out summer gardens at Ghat ki Guni, a valley at the
beginning of the Jaipur-Agra road which traps the breezes
and wafts it through pleasantly. Sisodia Rani ka Bagh was
laid for one of the queens from the Lake City of Udaipur,
to cure her of her homesickness. It consists of pavilions
with water channels that run down in tiered gardens.
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Statue
Circle:A
busy crossing, this has a life-size statue in marble of
Maharaja Jai Singh II. It is a recent addition to the
city's attractions.
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Sargasuli:Also
known as Isar Lat, this tower was erected in the mid 18th
century by Maharaja Ishwari Singh to commemorate a battle
victory. Ironically, Ishwari Singh was ostracised for his
love of a common girl, and he is the only Kachchawaha
Maharaja who has not been commemorated at Gaitore.
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Vidyadhar
Ji Ka Bagh:The
exquisite, tiered garden laid for the private pleasure of
the architect of the city, it has delicate pavilions
bordered by water channels, and a larger pavilion
overlooking the whole complex. Located at Ghat ki Guni, it
is now let out for private picnics.
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The
Palaces of Jaipur:In
Jaipur, you are never too far from its rich tapestry of
history. Not only is the architecture a delightful medley
of the ancient and the medieval, there are also stunning
reminders throughout the city. The bustling bazaars of
Badi Chaupar, for example, with their tiny shops, and
their endless meandering lanes, recreate vignettes of life
as it must have been centuries age. No wonder it's so
exciting to just walk around, as traders pick up fistfuls
of semiprecious stones and offer them to you for a few
rupees, or as you watch a silversmith at work on a
particularly ornate piece of jewellery.Not many visitors
will have the opportunity to visit private homes where
lifestyle encapsule the past and link it with the coming
millennium with an elegance and grace that is rare outside
this state. Fortunately, several of the palaces and
townhouses of Jaipur have been converted into palace and
heritage hotels, and these allow you a peep into the way
the families of Rajputana once lived amid all this
splendour.
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Rambagh
Palace:The
sprawling residence of the governess of Maharaja Ram
Singh, it became his favourite retreat and alter, a
hunting lodge. Designed by British architects as a formal
palace. Rambagh cam to embody princely chic when it was
occupied by Maharaja Man Singh and Maharani Gayatri Devi.
Built in the Indo-Saracenic style the sprawling palace
embodies good taste and is one of the country's premier
palace hotels.Once the garden retreat of the royal
families, Rambagh Palace is now one of the leading
heritage hotels of India. Run by the Indian Hotels (which
owns the Taj group of Hotels), the palace has wide
terraces, spacious corridors, and banquet rooms that are
brushed by the fragrance of the lush gardens. Rooms give
the impression of imperial legacy that the place has come
to be associated as. Its Chinese room with red and gold
tapestry and antique is unique. Equally interesting is the
enclosed swimming pool located outside the palace, but
inside the garden complex. The history of the hotel can be
easily associated with the history of royalty in Rajasthan
in the 19th and 20th century. The queen of Jaipur
constructed it in 1835 for her favorite handmaiden. Later
on as the need for a guesthouse and hunting lodge came, it
was changed accordingly. In 1925, the Maharaja of Jaipur
converted this place as his royal residence and many
modifications were done at that time. In 1972, the palace
was changed as a heritage hotel and it has seen many
prominent guests including Lord Mountbatten, Prince
Charles, and Omar Sharif. Ram Nivas Bagh is a flourishing
green piece of Jaipur, laid out by the then Maharajah Ram
Singh II in 1868, as a famine relief project to provide
recreational area and greenery to the citizens. There is a
splendid central museum, a small zoo, an aviary, a
greenhouse, a herbarium, a museum and several sports
grounds inside the Ram Nivas garden Ram Niwas Bagh also
houses one of the oldest zoos in the country harbouring
different species of birds and wild animals. Another
corner of the garden is dotted with food stalls where one
can savour the Indian fast foods. The beautiful
Indo-Saracenic structure designed by Sir Swinton Jacob
formerly called as Albert hall was opened in 1887 as a
public museum inside this beautiful garden . It contains a
fine collection of sculptures, paintings, decorative
objects, natural history specimens, an Egyptian mummy and
the celebrated Persian garden carpet. The majestic Albert
hall Museum occupies pride of palace situated as it is in
the middle of the garden. Ram Niwas Gardens are open all
days except Friday, from 10AM to 4.30 PM. There is an
entry fee for entrance.
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Rajmahal
Palace:A
small palace, when compared with Rambagh, Rajmahal was
established in 1729 for one of the Sisodia princesses so
she could distance herself from the intrigues of the
Kachchawaha zenana. It later became the Residency occupied
by various British Residents. In that status, it also
played host to visiting dignitaries from around the world
whether Queen Elizabeth II or Jacqueling Kennedy as
private guests of the Jaipur royals. It too is now run as
a palace hotel.
Jai
Mahal Palace:First
developed in the mid 18th century and used as a residence
for various British officials, Jai Mahal is Jaipur's first
palace hotel, though it was considerably smaller before
rooms were added to it in the 1980s. The new construction
is in amazing harmony with the old structure and the
garden that fronts it is a faithful recreation of Babur's
first Mughal garden in Dholpur.
Samode:The
Nathawat family of Samode served as prime ministers in
Jaipur's court and their four-century-old fortified
residence some 40 km from Jaipur is able to exhibit the
good taste learned at the royal palaces in a more
restrained space. The Durbar Hall at Samode Palace is one
of the most beautifully painted chambers in Rajasthan.
Close by is Samode Bagh, the garden pavilion with charming
water channels and ancient trees. In Jaipur itself, the
family built itself a townhouse, Samode Haveli, which
typifies the style of architecture then in prevalence,
including accessible public spaces and restricted private
spaces, especially for the women of the family. The
paintings at the Haveli are every bit as excellent as at
the Palace, if a little less profuse. All three properties
are hotels.
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Bissau
Palace:The
Thakurs of Bissau were a bristling, prickly lot, and were
often at daggers drawn with others feudal chiefs. While
their fort in the shekhawati region was sold a few decades
ago, the townhouse in Jaipur, called Bissau Palace, now
functions as a hotel. Set in a garden, the rambling
building has a quaint colonial air about it, somewhat
ruined by the souvenir shops. The building inside
recreates turn-of-the-century architecture combining
English formality with the Rajput need for open courtyards
and separate wing
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Narain
Niwas:A
garden house set in a mango orchard and built by Thakur
Narain Singh of Kanota into a personal residence, Narain
Niwas is not particularly impressive as far as its
architecture goes, though it has a restful ambiance
characterised most obviously by the deep verandah where
guests now lounge. Its fortified family home, at Kanota, a
40-minute drive from Jaipur has more definitive
architecture and visitors can call ahead if they wish to
visit or even stay there.
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Hall:It
is situated in the beautiful Ram Niwas Garden. This
beautifully designed Saracenic structure was designed by
Sir Swinton Jacob. It was opened in 1887 as a public
museum. It contains a rare collection of decorative art
objects, paintings, sculptures, natural history specimens,
an Egyptian Mummy and the well-known Persian Golden
Carpet.Timings: 9.30 a.m. to 4.30 p.m. Foreign Nationals:
Entry fee is Rs. 30 , Indian Nationals: Entry fee Rs. 5,
free on Monday and closed on Friday. Cameras and Video
Cameras are not allowed. |
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Sisodia
Rani Ka Bagh - Jaipur:The
terraced Sisodia Rani Ka Bagh (the Garden of Sisodia
Queen) is situated on the Jaipur-Agra road at a distance
of 10 km from Jaipur. The garden is one of the many summer
retreats built in 17th and 18th century by the royals of
Jaipur. The garden was created by the queen of Jai Singh
II, Sisodia Rani, as an escape from the court intrigues.
It is a beautiful escape with landscaped gardens and
murals of the life of Lord Krishna, decorating its
interiors. Not far from here on the way to Galta are
natural springs and temples of Lord Vishnu, Lord Shiva,
and Lord Hanuman.
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Jagat
Shiromani temple:The
jagat Shiromani Mandir is a temple dedicated to Lord
Krishna built in the Hindu pattern following the Rajput
style of architecture. There are idols of Lord Krishna as
well as beautiful sculptures of Radha. The temple is
popularly associated with the celebrated saint-poetess
Mira Bai. There is an elegant marble gateway guarded by
intricately carved stone elephants.
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Birla
Temple:It
is large modern marble edifice near Moti Dungri fort. The
wealthy industrialist Birla, who was born in Pilani,
Rajasthan bought the land on which temple now stands from
maharaja for the token of Rs. 1/-. Many deities of the
Hindu pantheon are depicted inside the temple. On the
outside walls great historical personages & religious
figures are depicted including Scrotes, Zarathustra,
Christ, Buddha & Confucians. The temple is on
Jawaharlal Nehru marg.
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Birla
Auditorium:The
state-of-the-art auditorium is a premier institution for
promotion of science, technology and culture. It is one of
the largest auditoriums in India |
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Economy
Major Crops and
their Production: Production:
1999-00 ,(Tonnes), Wheat 4,00,214, Bajra 1,34,909, Barley 1,13,009,
Rapeseed and mustard 1,02,500, Pulses 79,534, Gram 58,085, Groundnut
36,006, Sugarcane 8,044, Maize 4,716, Jowar 584, Red chillies 299,
Sesamum 36
Minerals:Production: 1999-00 -(Tonnes), Lime stone 55,000, Soap
stone 38,356, Kaoline 12,707, Felspar 8,245, Stealite 8,291, Iron ore
8,000, Quartz 1,054
Calcite 5
Infrastructure:-
Electricity:
Jaipur district is receiving
the hydro-electric power, supplied by the Chambal Hydel System. Out of
total 2,131 villages in the district, 2,131 were electrified as on
March 2000.
Water: The
major rivers passing through the Jaipur district are Banas and
Banganga. The ground water resources to the extent of about 28.65
million cubic meter are available in the district.
Educational
Facilities/Institutions:(Nos),
Universities 1, Colleges 45, Agricultural colleges 2, Engineering
colleges 1, Polytechnical colleges 2, Medical colleges 1 Secondary
& higher secondary schools 554, Higher primary schools 1,460,
Primary schools 2,905, ITIs 6, Agricultural research centre 2
Industrial Scenario:No. of large & medium scale running
units: 48, No. of small scale units: 19,544, No. of industrial areas:
19, Bagru, Bassi, Bais Godam, Bindyaka, Dudu, Hirawala, Jetpura,
Jhotwara, Kaladera, Kanakpura, Kartarpura, Malviya Nagar, Phulera,
Renwal, Sanganeer, Shahpura, Sitapura, Sudarshanpur and Vishwakarma.
Main
Industrial Products:
Acetylene gas, ACSR conductors, ball bearings, bottling of LPG,
ceramics, pottery, cold roll strips, common salt, corrugated boxes,
deoiled cakes, durries, dyeing and printing, edible oil, electronic
items, engraving on brass items, ferrous and non-ferrous castings,
gems and jewellary, general engineering and manufacturing, granite
slabs and tiles, hand made paper, handicraft items, halogen auto
bulbs, hawai chappals, household electrical appliances, HT steel
strips, lodized salt, lamps, laminated springs for railways, marble
statues, marble tiles & slabs, moulded plastic components for
electronics, perfumes, pigment colours, plastic containers, P.P.
multifilament yarn, PVC cables, PVC doors, PVC footwear, canvas shoes,
nitro chloro benzene, oxygen gas, port land cement, readymade
garments, re-roller products, steel furniture, steel ingots, stone
grits, synthetic leather, synthetic suiting & shirtings, tablets
and capsules, two way radio and line, washing so ap, wheat maida,
suji, atta, woollen carpet, re fined vegetable oil and vanaspati ghee.
Export
items: Brass and lacquer
work, enamel work, gems and jewellery, granite tiles, handloom, marble
statues, printed cloth and textiles, readymade garments and woollen
carpets.
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Transportation
and Communication
Road Transport: Jaipur
city is the capital of the state and is centrally located. The
National Highway No.8 links Delhi to Ahmedabad and No.11, linking
Bikaner to Agra passes through Jaipur district to a total length of
366 kms. The total length of different types of roads in the
district was about 4,102 kms as of March 2000.
Rail
Transport: Jaipur district
is connected with meter gauge rail route with Sri Ganganagar, Ajmer,
Udaipur and Sirohi. Jaipur is also connected with major centres of
neighbouring states such as Agra (Uttar Pradesh), Ahmedabad
(Gujarat) and Delhi. Recently, Jaipur has got connected in broad
gauge, enabling direct connections to cities like Sawai Madhopur,
Kota, Jodhpur, Bikaner, Bombay, Howrah, Lucknow, Kanpur & Delhi.
Air
Transport: Jaipur is
connected by air with Jodhpur, Udaipur, Aurangabad, Delhi, Bombay
and outside the country with Paris, London & Dubai.
Communication
Facilities:(Nos), Post
offices 599, Telegraph offices 143, Telecom centres 9, PCOs 859,
Telephone exchanges 150.
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Fairs
Teej
Festival - Jaipur:Teej
Festival - Facts & Figures
Time of the year First week of August
Places to visit Jaipur, Rajasthan
Duration One to two days Teej
Festival - Teej is
especially celebrated in Jaipur, the capital city of Rajasthan.. With
the arrival of the monsoons the festival season is unleashed with
renewed fervor. And the most important festival to herald the monsoons
is Teej - reflecting the magic of the rainy season. Though celebrated
primarily in Rajasthan, the women of Bihar and parts of Uttar Pradesh
also undertake the ritual fast and prayer during Teej. Peacocks dance
in ecstasy, women rejoice by swinging on rope swings in gardens and
lilting melodies heralding the festival of Teej echo all round. Teej
is celebrated on the third day of the waxing moon in the month of
Sawan (July-August). The festival of Teej reflects the magic of the
monsoon. It marks the beginning of a series of fairs and festivals,
which are celebrated throughout the autumn and winter months
culminating in the spring festival of Gangaur. According to a local
saying, Teej is the key to open the stock of festivals locked away for
the summer after the spring festival.
Gangaur Festival The most important local festival in
Rajasthan, Gangaur is held about a fortnight after Holi and the
celebrations go on for eighteen days. The festival is held in honor of
Gauri, a manifestation of goddess Parvati, the wife of Lord Shiva. The
festival is celebrated by girls and married women throughout
Rajasthan. Images of Gauri are ornamented and offerings are made. This
is also an auspicious time for young people to select their life
partners. Colorful processions with the town band, horses, and
elaborate palanquins make it a fascinating spectacle.
Elephant Festival The Elephant Festival is a unique event held
annually in Jaipur, the capital of the north Indian state of
Rajasthan. Groomed to perfection, glittering in gold, row upon row of
elephants catwalk before an enthralled audience. The elephants move
gracefully in procession, run races, play the regal game of polo, and
finally participate in the spring festival of Holi. It is festival
time for the elephants.There are deadly and fierce elephant fights in
the Jaipur Chaugan or polo field, the venue of the Elephant Festival.
During Holi, the Chaugan is brought alive with elephants, dancers,
musicians, and onlookers from the entire globe. The festival starts
with an impressive procession of the majestic animals lovingly painted
and tastefully attired with glittering ornaments and embroidered
velvets. The echoing sound of the bankiya (trumpet) fills the
atmosphere. A ceremonial procession is recreated with caparisoned
elephants, lancers on horses, chariots, camels, cannons, and
palanquins. The large beast is the center of attraction in the many
races and beauty pageants. Strangely, most of the participants are
female elephants. The mahouts (elephant keepers) take great care to
decorate the elephants-painting their trunks, foreheads, and feet with
floral motifs and adorning them from tusk to tail with interesting
trinkets. The mahouts were employed in the Phil Khana, the department
of elephant in the royal administration. They played an important role
until the princely state was incorporated into the Union and the
department because redundant. They, however, have continued their
association with the elephants. The game of polo forms the highlight
of the festival. Dressed in saffron and red turbans, the teams try to
score goals with long sticks and a plastic football. Finally, the
tourists are invited to mount the elephants and play Holi.
Participants dance with great vigor-the excitement rising to a
crescendo. The Jataka stories of Buddhism refer to the tradition of
Hastimangala (the Elephant Festival). A royal mount from time
immemorial, the elephant has also been a symbol of strength and
wealth. For the Rajput kings, the elephants were of especial
significance not only during war but also during the royal
festivities-a must at royal pageant. Nishan-ka-hathi, the flag
carrier, led the procession. The king always mounted a caparisoned
elephant. Special hunting programs and elephant fights were organized
to entertain the royal guests. Jaipur was a favorite with the
important personalities of the British Raj and the Maharajas always
arranged for their guests of honor elephant rides up to the Amber
palace. Even today, the mahouts take tourists up to the Amber Palace
on elephant back. Rajasthan Tourism revived the tradition by including
the Elephant Festival in the cultural calendar. The present-day
pageant, originated only a decade ago, was devised especially with the
tourist in mind. The inclusion of the game of polo is more recent,
being inspired by a cartoon in Punch magazine that showed the Indian
polo team atop an elephant after it won all the international
tournaments. Every year on the day after Holi, the old stadium at
Jaipur, the Chaugan (originally planned for elephants), forms the
venue for a spectacular jamboree.
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CLIMATE
Climate and
Rainfall:The
climate of the district is dry and healthy and is subject to
extremeness of cold and heat at various places.The minimum and maximum
temperatures recorded in the district varies from 8.0 to 48 degree
celsiusNormal annual rainfall is 55.64 cms
Climate :Mean
Max. Mean Min.
Summer :Max
46° C Min 25.8° C
Winter :Max
22°C Min 7°C
Rainfall :60
to 65 cms.
Summer :Light
Cotton
Winter :Light
Woolen
Best Season
: September-March
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Land
Area:14,068
sq. km. (4.11 per cent of the State)
Location:The
district is situated in the eastern part of Rajasthan. It is bound in
the north by Sikar and Alwar, in South by Tonk, Ajmer and Sawai
Madhopur. Nagaur, Sikar and Ajmer in the west and in east by Bharatpur
and Dausa districts.
Distance
from major Cities:Delhi-261
kms.,Ahmedabad-625 kms., Chandigarh-510 kms,. Mumbai-1,176 kms.,
Calcutta-1,472 kms., Agra-246 kms.
Altitude : 431
Mts.
Latitude :
26.55 N
Longitude : 75.52E
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History
Introduction to
Jaipur Jaipur
the capital city of the northern Indian state of Rajasthan is one of
the most vibrant and colorful cities of India. Famous for its
strikingly beautiful culture, forts, palaces, and lakes the city
basks in the glory of a rich and eventful past. Jaipur is a planned
city which is made all the more attractive by the pink wash that
most buildings are periodically given. Besides, it remains the only
city in the world that symbolises the nine divisions of the
universe, through nine rectangular sectors. It is for these reasons
that Jaipur has been included on the popular tourist circuit
"Golden Triangle" of Delhi-Jaipur-Agra. Jaipur, (City of
Victory) was founded in 1727 by Maharaja Jai Singh II, a Kachhwaha
Rajput, who ruled from 1699-1744. Being a brainchild of the
maharaja, he took special interest in the designing planning and
execution works of Jaipur.Among all the states of erstwhile princely
India, Rajputana is undoubtedly the one with the most martial record
- warring factions locked in deadly warfare, thousands of royal
ladies consigning themselves to flames preferring death to dishonor.
In this land, towering forts were built as much for ostentation as
for intimidating the enemy; and desperate battles were fought by
rulers who were great patrons of the arts. The city of Jaipur is the
prime example of the culture and traditions of this region.The royal
city of Jaipur owes its name to the founder of the city. It was
Great Warrior King Sawai Jai Singh II (1693-1743) who laid the
foundation of the city in 1627. He was one of the few kings of his
time having a keen eye for details and a very good scientific
temper.
Architectural Heritage:Jaipur: Royal Capital:The
capital of Rajasthan, Jaipur is not only the gateway of the state,
it is also the most natural place to begin a discovery of
Rajasthan's multifaceted attractions. For visitors unfamiliar with
its history, a little explanation may be necessary, since it will
aid their understanding of one of the most fascinating cities of
India.As a city, Jaipur is fairly young, less than three centuries
old. It was laid out by Maharaja Sawai Jai Singh II of the
Kachchawaha dynasty from Amber which, less than 10 km away, was the
former capital of the state. Markets ad residential areas have
bridged this gap so that, for all practical purposes, Jaipur
includes Amber with its sway.Like most Rajput kings, the
Kachchawahas claim descent form the noble line of Shri Rama, the
prince-hero whose exploits are the subject of the great Hindu epic,
the Rama-yana. If one were to zip through history to arrive in the
10th century, it would bring us face to face with Dhola Rai whose
throne at Narwar (close to Gwalior, in Madhya Pradesh) was usurped
by his uncle. However, the royal prince was welcomed as a bridegroom
into the feudal principality of Dausa, close to Amber, and he soon
made himself at home, even claiming the right to rule. His son, who
accepted the hospitality of the Mina tribesmen of Amber, betrayed it
similarly and established the foundations of a dynasty that was to
become renowned for its power and wealth. In more recent times, the
Jaipuris, as they were called, came to represent the glamorous face
of princely India, and were the cynosure of the media in Western
society.Having won themselves their kingdom, the Kachchawahas
strengthened their stronghold through strategic matrimonial
alliances with the Mughals who ruled over much of India from their
forts at Delhi and Agra. Though their faiths were different, it
established a sense of kinship between the more powerful Mughals and
the valiant Kachchawahas, and laid the foundation for a similar
relationship with other Rajput states.The Mughal still occupied
Delhi when Jai Singh, hardly a man yet when he was anointed maharaja
of Amber, was taken to meet Emperor Aurangzeb who, as a conservative
Muslim, had spent little time befriending his Hindu neighbours.
Grasping Jai Singh's hands in his own. Aurangzeb asked him:
"How do you expect to be powerful with your hands tied
thus?" Jai Singh was quick-witted, and replied: "Just as a
bridegroom takes his bride's hands following their betrothal, in a
sacred vow to protect her, so you, Sire, have held my hands. What do
I fear now that the Mughal himself has taken my hands in his?"
Aurangzeb was pleased and immediately granted the young prince the
hereditary title of 'Sawai' placing the Kachchawaha family a
'quarter' above the other Rajput families.But the Mughal was ageing.
He had no strong successors. Towards the east, the British were
eroding the existing power structure from their capital in Calcutta.
The north, however, after several centuries of invasions and rife,
was quiet. Jai Singh seized the opportunity to pamper himself with a
new capital. Moving out of the hilltop Amber, he descended to the
plains below, and planned a modern capital with a Bengali architect,
Vidyadhar, whose instinct for planning he trusted implicitly.Jaipur
has been laid according to the conventional nine-grid pattern that
astrologers believe to be lucky, and which has been recommended in
the ancient Indian treatise on architecture. Each grid consists of a
square, and these have been planned so that, at the heart of the
city is the City Palace. Spread around it, in rows, are public
buildings, the residences of noblemen, the living and trading
quarters of merchants and artisans. Straight, wide roads run through
the city, while a high crenellated wall that forms its defense is
pierced with seven gateways that serve as entry points. Today, these
walls may be more difficult to spot since the city has grown far
beyond its original plan, but they are still there, proof that
though Jaipur saw no great siege, it was more than adequately
prepared for it.Vidyadhar was a strict planner and even the drawings
for private residences and trading establishments had to be
submitted to his stringent gaze, and meet with his approval. This is
the reason for the striking similarity in the facades of the
buildings in even the bazaars of the old city, though it is a myth
that he was also responsible for the uniform colour, labelled Indian
pink. This has given Jaipur its euphemistic name, Pink City.
However, the reason for the autumnal colours on the facades of all
old city buildings was a forthcoming trip by the Prince of Wales
(later King Edward VII) in 1876 for whom the capital was being
decorated. It was decided to paint the entire city white for the
occasion, but eventually the pink was chosen because it came closest
to the colour of sandstone which many of the buildings were made. To
date, the tradition of painting the buildings pink has continued,
though with the highlights picked out in white.Having outgrown the
original nine grids, Jaipur has spread in all directions, but its
market area are still characterised by streets and areas where work
of a certain kind is found. For example, there is a separate street
for marble-workers, and another textiles, or for jewellery.Jaipur's
architectural planning may have been ancient, but its execution was
definitely modern. Best represented by the City Palace complex, it
brought together all that was excellent in Rajput and Mughal
architecture, creating a new tradition that found wide currency over
much of north India. As in the Mughal tradition, the Durbar or court
areas became much more open, characterised by a series of arched
pavilions held on delicately crafted pillars. Ornamentation had
always been a part of the state's architectural heritage, now it
became much more opulent. The private wings of the family also
extended their entertainment areas. Since defence was no longer a
primary concern, larger, more ornamental windows were built to
overlook the streets or courtyards outside these wings. Gardens were
no longer planned within the internal courtyards only, but were
added to the external vistas, and water, a basic feature of Mughal
palaces and gardens, was utilised in a similar fashion, in canals
and fountains.Some of these experiments had begun at Amber itself,
in the palaces that were its more recent additions. A major
distinguishing feature of the Mughal palaces was the use of marble
and pietra dura inlay. Amber and Jaipur used marble more
judiciously, but were able to achieve the same effect on polished
wall surfaces using a mixture of lime and eggshell, in a style that
was referred to as araish. Rather than stone inlay, it preferred the
delicate art of painting, especially religious and historical
sequences, the depiction of which is forbidden in Islamic art. The
concept of the Sheesh Mahal or 'Palace of Mirrors', however, was
equally favoured in both architectural traditions: it consists of
small, even sized mirrors used to embellish all surfaces so that,
when a match is lit in the darkened room, its flame bounces off then
giving millions of reflections.Such ostentation, however, was
usually limited, and good taste was evident in the manner in which
the walls were painted, or the pierced windows placed. Amber
represents the early phases of Kachchawaha architecture. The
foundations of the fort were laid in 1592 by Maharaja Man Singh.
Seen from the outside, the fortifications are impressive. Coming
upon it when entering or exiting Jaipur, it makes one gasp, but it
must have sent a chill up the spine of its foes. A steep ramp leads
to Jai Pol, the Gate of Victory, named after Jai Singh I. Today,
elephants carry tourists up the ramp, but it is not difficult to
imagine pennant carrying armies setting off on horseback along this
majestic path.The architecture within spans several centuries and
even after the establishment of Jaipur, the royal family would come
here for ceremonial occasions and to pray at the Kali shrine. The
image enshirned within the temple is that of Shila mata, the Goddess
of War, carried here by Maharaja Man Singh all the way from Jessore
in Bengal. Visitors today ca also see the Diwan-i-Am or Hall of
Public Audience, a sight denied even to Emperor Akbar at the height
of his glory. Legend has it that reports came to Akbar of Man
Singh's splendid durbar hall as a Mughal feudatory, Amber did not
have the permission to hold public audiences, but Akbar, it appears,
was more entranced by Amber's reported "tier upon tier of
beautiful buildings". Two emissaries were despatched to find
out if the durbar hall was as beautiful as its description but Man
Singh, fearful that the Mughl would covet it, had the hall covered
with stucco plaster, concealing its decorations for centuries
together.Amber had reason to be concerned since its history had seen
skirmishes with other Rajput kingdoms, and had at various times
faced the armies of the sultans of Gujarat, the Marathas, and the
Mughals. No wonder its architecture, like that of other Rajput
palaces, consists of narrow passages and staircases that can be
defended by a single swordsman, ridged ramps to allow the cavalry to
move within the fortifications, high walls that cannot be easily
scaled, and windows at only the highest levels. While the exterior
is forbidding, the interiors are lavished with decoration since the
royals, and especially the women, spent almost all their time within
the fortified palaces.
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