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Jaipur- A Tour

Sights to see
economy
Transportation
FAIRS
Climate
Land  
HISTORY               

     

The capital of the modern state of Rajasthan, Jaipur is a modern city built according to the specifications laid down in ancient architectural texts. Known as the pink city on account of the flush colour of its sandstone palaces, it is a major centre for handicrafts. Its former capital, Amber, consists of fortifications with an interesting range of highly decorated public and private apartments.

Administration Setup:After the formation of new Dausa district, there are 13 tehsils and the same number of Panchayat Samities. The total number of towns are 14.

Languages : Rajasthani, Hindi, Urdu, English

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sights to see

Sightseeing in Jaipur:Visitors to Jaipur are spoilt for choice since there is so much to see. Not only are the city's forts, palaces, gardens and temples spectacular, each proves a rewarding experience in itself because they can keep you absorbed for long hours at a stretch.

Amber :The Kachchawahas ruled from Amber, 11 km from Jaipur, for seven centuries. With a history so old, it is not unexpected that there is a lot of the past that can be traced in its archaeological history. While many of the very early structures have either disappeared or been ruined, those dating from the 16th century on are in a remarkable state of preservation. Amber as it exists now is the handiwork of three of the kingdom's rulers that include Man Singh, and Jai Singh I and II. Approached from a step ramp, visitors ride up on elephant back, entering through the grand Singh Pol gateway and continuing to Jaleb Chowk, the courtyard where they disembark form the pachyderm. From here, they are faced with two flights of steps, one leading to the Shila Mata complex with its enshrined image of the goddess, and the other to the main palace complex.Within the complex, Ganesh Pol, an imposing gateway painted with images of the elephant-headed god, Ganesh, takes pride of place, Also a part of the complex are the Diwan-i-Am or hall of public audience with its spectacular display of pillars. The typical merging of Rajput and Mughal architectural styles is captured in the Sukh Niwas and Jas Mandir apartments, and the Charbagh garden with its perfectly proportioned landscaping. A highlight is the pierced screen windows which offer views from points of vantage, as well as the shimmering mirrors encrusting the walls of the Sheesh Mahal. Seeral other gardens and pavilions within the sprawling spread of the ramparts offer enough scope for investigating medieval lifestyles at leisure.Beyond the ramparts, the old city, once the abode of the aristocracy, has a wounderfully medieval flavour, though it has few buildings of majestic proportion that are still extant. However a walk through the rambling lanes will reap rich rewards for the curious. Besides a large number of temples, there are also stepwells, memorials and townhouses. There is a lot more to Amber than its splendid fort. Set in a picturesque location, Amber is a fascinating blend of Hindu and Muslim architecture. Built in the 16th century by Raja Man Singh, it sprawls on the hillside. Its construction was started by Man Singh I in 1592 and completed by his descendant Jai Singh I.

City Palace:As may be expected, the City Palace complex lies at the heart of the city. Getting in is simpler than it once was. Though the erstwhile maharaja and his family and close friends use the triple-arched Tripolia Gate to enter their section of the palace, mot visitors are ushered in through Atish Pol which is located close to the royal stables. Cross from here to Chandni Chowk or Moonlit Square, and then on to Ginda Ki Deorhi or Rhinoceros Gate. At the heart of the complex is the seven-tiered Chandra Mahal where the erstwhile royal family is still in residence, though only a small part of the apartments are occupied. However, it is only the buildings around Chandra Mahal that are open to the public, and these also form part of a museum which includes everything from grand outfits (including one with 18 kilos of golden thread woven into it) to swords and two silver urns that are believed to be the largest silver objects in the world. These are housed in the Mubarak Mahal and the Diwan-i-Am respectively. Through Singh Pol or Lion Gate, visitors can approach the Diwan-i-Khas and Diwan-i-Am, where the maharaja's private and public courts would be held. The architecture seems to consist of a number of arched, pillared halls, while courtyards with painted doorways are a prominent feature.In the heart of the city is situated the City Palace, a blend of Rajasthani and Mughal architecture. The City Palace is marked by projecting balconies, arches on slender pillars, and ornate entrances. There is a huge paved courtyard flanked by apartments from three sides. The place is now a museum except for one section where the erstwhile royal family still lives. The palace cum museum is constructed in the fortified campus style and covers more than half of the old city. Timings - 9.30 am. to 4.45 pm. Entry fee - Rs.35/- for Indians and 110/-for Foreigners.

Gaitore:Located off the Jaipur-Amber road, Gaitore is the final resting place for the maharajas of Jaipur. Set in a narrow valley, the cenotaphs of the former rulers consist of the somewhat typical chhatri or umbrella-shaped memorials. Of special mention is Jai Singh II's chhatri because of the carvings that have been used to embellish it.

Galta Ji:A popular site with pilgrims, Galta Ji's hilly location is full of surprising spires and peaks. Some of the temples here are quite old, and a sun temple is perched atop the highest point of the hill.The temples of galta is 100m above Jaipur to the east, a 2.5 km. climb from Suarj Pol. This is the plaxe where the great sage Galav is supposed to have lived and performed his penance. Here the water flowing through the mouth of a carved stone cow, the Gaumukh fills seven tanks. This water is believed to be sacred and have curative powers. The water is claimed to be several elephants deep. In the temples are the images of Vishnu, Brahama, Garlo Rishi, Shankaracharya, Parvathi and Ganesh and note-worthy among them is the temple of the Sun God. The small temple of the Sun god, built by Diwan Kriparam on top of the highest peak, is visible form all parts of the city.

Govind Dev Ji Temple:A part of the City Palace complex, this Krishna temple is highly revered by the erstwhile royal family. The image brought from Vrindaban is housed within the sanctum of this spireless temple.

Hawa Mahal:Located to one side, but a part of the City Palace complex. Hawa Mahal is best viewed from the street outside. If it were not for the bustling bazaar all around, it would have been easy to mistake it for a film set, so exquisitely is it proportioned, and so incongruous is its delicacy. Hawa Mahal consists of five tiers of corridors on the inside, with pierced screen windows that overlook the street below. It is believed the women of the royal zenana would sit concealed behind these screens to see life in the city beyond the walls of the palace.About Hawa Mahal: The city of Jaipur reflects a clever amalgamation of the Rajput and Mughal styles, which has given this city a unique character. Being close to Delhi and Agra, and the fact that its rulers were powerful members of the Mughal durbar (court), ensured that its rulers kept the special Mughal touches of filigreeing marble and sandstone alive. If one were to select the most outstanding of all buildings in the walled city, or the most unusual, then the Hawa Mahal would easily stand out. Built in 1799 by Maharaja Sawai Pratap Singh, this remarkable structure adjoins the outside of the City Palace wall. Sawai Pratap Singh was a great devotee of Lord Krishna and he dedicated this mahal to the Lord, its intricate exterior wall looks like a mukut (crown), which adorns Lord Krishna's head. It overlooks one of the main street and lies sandwiched between more prosaic buildings. This five-story, pyramid-shaped structure is made up of small casements, each with tiny windows and arched roofs with hanging cornices, exquisitely modeled and carved. Its façade makes Hawa Mahal look more like a screen than a palace. Its top three stories are just a single room thick but at the base are two courtyards. It is a fifty-foot high thin shield, less than a foot in thickness, but has over 900 niches and a mass of semi-octagonal bays, carved sandstone grills, finials and domes, which give this palace its unique façade. There is no definite record as to why Hawa Mahal was built, only conjecture. It certainly was not meant for residential purposes. That becomes clear if one were to view this unusual structure from the rear side. he Hawa Mahal, the "Palace of the winds" was designed as a window to the outside world for these zenana women who led cloistered lives in the closed courtyards and apartments behind it. The 953-latticed windows built tier built upon tier in a fragile lace- like effect offered a perfect view of the road below while concealing the women from the people outside. The alcove design with carved screen balconies meant the windows caught even the smallest breeze. The zenana women could pass their day sitting here, hidden by the screened windows, watching the world go by and have a view of royal parades and other ceremonials from their airy little perches. It is a fantastic structure in an odd pyramid shape and it may seem more like a whimsical folly of the king but in fact there was a medieval tradition of building palaces where the zenana women could sit and enjoy fine weather.Entry fee - Rs. 2/- 

Jaigarh:Made famous because of the myths of buried treasure, Jaigarh was defended by the Mina tribesmen in the Kachchawaha army who once ruled from this hilly perch. Though the ancestry of the fort is ancient this military structure was renovated in the 16th and 17th centuries, and had a cannon foundry on its premises. It is one of the three hilltop forts that stand sentinel over Jaipur.Jaigarh Fort stands as a guard for the Amber palaces. The wall of the Fort are spread over three kilometres and have two massive gates-the Awani Darwaza in the east and Doongar Darwaza in the south. Jaigarh had a foundry inside were some of the best cannons in India were cast and many were used by the Kachwaha kings when they led Mughal armies on expeditions. Among the armoury displayed here is the world's largest cannon that was made at this foundry. Jaivan has an ornamented twenty-foot long barrel wheels that are nine and a half feet in diameter and weighs a massive fifty tons. Made in 1720 it was never used in war and only test fired once and it is said the cannon ball travelled a distance of thirty eight kilometres and the roar of the cannon made many houses collapse in Jaipur. In Jaigarh there are more barracks than residential palaces. A temple Kal Bhairav with a an idol in the form of Lord Shiva in black metal and a garden in Mughal style and an open Baradari, a garden pavilion called Aram Mandir are some of the attraction in the simple and unadorned interiors of Jaipur. Jaigarh has a cleverly designed system of water collection. Large tanks and reservoirs were used to hold every available drop of rainwater, with pipes and channels running to it from hills. The highest point a Jaigarh is the seven storeyed Diya Burj, the turret of lamps from where one gets a panoramic view of Jaipur and its environment.The buildings in the fort have dramatic names, like the open piralled hall called Subhat Niwas and Khilawat Niwas that were used as an audience hall.Timings - 9:00 am. to 5.00 pm. Entry fee - Rs. 15/-

Jal Mahal:Jal Mahal was built by Sawai Pratap Singh in 1799 A.D. in the midst of the Man Sagar lake as a pleasure spot. The lake was formed by construcing a dam between the two hills by Sawai Man Singh I. During the winter months one can see a large number of migratory birds at the lake. A tiny palace romantically located in the middle of a small lake, this was supposed to be a hunting lodge for the royal family. It can only be viewed from the banks of the lake.

Jain Temple:One of few examples of Jain architecture in Jaipur, located on the Agra Road, it has 19th century frescos that are exquisite.

Jantar Mantar:A stone observatory, part of the City Palace complex, Jantar Mantar is one of several other astronomical observatories created by Maharaja Sawai Jai Singh II (others are in Delhi, Banaras & Ujjain). These concrete masonry instruments were used to measure everything from altitude to time, and map the movement of the planets and the stars. Jai Singh II had a passion for astronomy and used astronomical inventions from different cultures in the creation of these observatories, the largest of which is in Jaipur.Jaipur's Jantar Mantar is the most famous of five observatories built by Sawai Jai Singh in India. Jai Singh was a great admirer of progresses and research made in the fields of science and technology, but he was passionate about astronomy. There is a very interesting story behind the construction of this observatory, considered as the largest stone observatory in the world. Sawai Jai Singh sent his emissaries to all parts of the world before commencing the construction of this observatory. The emissaries returned with many manuals on astronomy containing cutting-edge technological information. One of these manuals was a copy of La Hire's "Tables". The king ordered the observatory to be built according to the details contained in this manual. When the construction ended, for the astonishment of the king and others, the observatory was 20 seconds more accurate than the one mentioned in "Table. Only observatory out of five built by the king in running condition, Jantar Mantar is located near the gate of City Palace, Jaipur Near the city Palace is the royal observatory, built in 1728 by Maharaja Jai Singh who had a passion for astronomy. Jantar Mantar means 'instrument of calculation'. At the first glance, Jantar Mantar appears to be a collection of sculptures. Each construction has a specific purpose of measuring the positions of the stars, altitude, azimuth and eclipses. The Brihat Samrat Yantra sundial aids in the calculation of local and meridian pass time, the Yantra Raj is made of two large disks suspended from wooden beams which determine the positions of constellations. Laghu Samrat Yantra, Dhruva Darshak Yantra, Narivalaya Yantra, Unnatansha Yantra, Rashi Yantras, Dakhinovrith Bhitti Yantra, Kapali, Ram, Jai Prakash, Dignsha are the other Yantras measuring and calculating positions of various celestial bodies. Timings - 9 am. to 4.30 pm.daily Entry fee - Rs. 4/-

Lakshmi Narayan Temple:A new temple, built entirely of marble, this is a showcase of the continuing skill of the mason and the sculptor.Situated in the south of Jaipur, Laxmi Narayan Temple is one of the many such temples built by wealthy Birla family in India, thus it is also known as Birla Mandir. The temple is a great reminder of the secular traditions India has shown over the centuries. The temple has been constructed in white marble and has three domes, each portraying the different approaches to religion. The temple is situated at the foot of Moti Doongri Fort, converted as a small palace by Ram Singh II for his wife Gayatri Devi.

Moti Doongri:A small palace, this is a replica of a Scottish castle, and perches on a hilltop. Once occupied by Maharaja Madho Singh's son who was confined here, it was also for a while home to Maharani Gayatri Devi.

Nahargarh:The third of the hilltop forts that guard Jaipur, and in a state of majestic ruin, it has some lovely gardens and pavilions added after the capital had shifted to Jaipur. The members of the royal family often used it for summer excursions and picnics. Nahargarh or the Tiger fort is the first of the three forts built by the kings of Jaipur. Built mainly in 1734 by Jai Singh II, it lies 6 km north west of city Palace and provides some stunning views of Jaipur down below to the Man Sagar Lake. The imposing fort harbors many legends and three kings have added their stamp at different times to the structures within the fort. In the midst of this lake, is a palatial duck blind, which was used for shooting parties by the erstwhile royal family. A royal retreat for the Maharanis, it was also used as a personal treasury for many years.

Ram Niwas Bagh:A garden planned by Maharaja Ram Singh in the 19th century as a famine relief project, this extensive park consists of a zoo, aviary, herbarium museum and sports complex. An added attraction is Albert Hall, designed by Sir Swinton Jacob, a British architect who created palaces for may of the rulers of Rajasthan, and whose experiments with Indo-Saracenic architecture combined elements of English and north-Indian architecture. Albert Hall is a museum and houses many curiosities.

Sisodia Rani Ka Bagh:In the 18th and 19th centuries, the royals and the nobles laid out summer gardens at Ghat ki Guni, a valley at the beginning of the Jaipur-Agra road which traps the breezes and wafts it through pleasantly. Sisodia Rani ka Bagh was laid for one of the queens from the Lake City of Udaipur, to cure her of her homesickness. It consists of pavilions with water channels that run down in tiered gardens.

Statue Circle:A busy crossing, this has a life-size statue in marble of Maharaja Jai Singh II. It is a recent addition to the city's attractions.

Sargasuli:Also known as Isar Lat, this tower was erected in the mid 18th century by Maharaja Ishwari Singh to commemorate a battle victory. Ironically, Ishwari Singh was ostracised for his love of a common girl, and he is the only Kachchawaha Maharaja who has not been commemorated at Gaitore.

Vidyadhar Ji Ka Bagh:The exquisite, tiered garden laid for the private pleasure of the architect of the city, it has delicate pavilions bordered by water channels, and a larger pavilion overlooking the whole complex. Located at Ghat ki Guni, it is now let out for private picnics.

The Palaces of Jaipur:In Jaipur, you are never too far from its rich tapestry of history. Not only is the architecture a delightful medley of the ancient and the medieval, there are also stunning reminders throughout the city. The bustling bazaars of Badi Chaupar, for example, with their tiny shops, and their endless meandering lanes, recreate vignettes of life as it must have been centuries age. No wonder it's so exciting to just walk around, as traders pick up fistfuls of semiprecious stones and offer them to you for a few rupees, or as you watch a silversmith at work on a particularly ornate piece of jewellery.Not many visitors will have the opportunity to visit private homes where lifestyle encapsule the past and link it with the coming millennium with an elegance and grace that is rare outside this state. Fortunately, several of the palaces and townhouses of Jaipur have been converted into palace and heritage hotels, and these allow you a peep into the way the families of Rajputana once lived amid all this splendour.

Rambagh Palace:The sprawling residence of the governess of Maharaja Ram Singh, it became his favourite retreat and alter, a hunting lodge. Designed by British architects as a formal palace. Rambagh cam to embody princely chic when it was occupied by Maharaja Man Singh and Maharani Gayatri Devi. Built in the Indo-Saracenic style the sprawling palace embodies good taste and is one of the country's premier palace hotels.Once the garden retreat of the royal families, Rambagh Palace is now one of the leading heritage hotels of India. Run by the Indian Hotels (which owns the Taj group of Hotels), the palace has wide terraces, spacious corridors, and banquet rooms that are brushed by the fragrance of the lush gardens. Rooms give the impression of imperial legacy that the place has come to be associated as. Its Chinese room with red and gold tapestry and antique is unique. Equally interesting is the enclosed swimming pool located outside the palace, but inside the garden complex. The history of the hotel can be easily associated with the history of royalty in Rajasthan in the 19th and 20th century. The queen of Jaipur constructed it in 1835 for her favorite handmaiden. Later on as the need for a guesthouse and hunting lodge came, it was changed accordingly. In 1925, the Maharaja of Jaipur converted this place as his royal residence and many modifications were done at that time. In 1972, the palace was changed as a heritage hotel and it has seen many prominent guests including Lord Mountbatten, Prince Charles, and Omar Sharif. Ram Nivas Bagh is a flourishing green piece of Jaipur, laid out by the then Maharajah Ram Singh II in 1868, as a famine relief project to provide recreational area and greenery to the citizens. There is a splendid central museum, a small zoo, an aviary, a greenhouse, a herbarium, a museum and several sports grounds inside the Ram Nivas garden Ram Niwas Bagh also houses one of the oldest zoos in the country harbouring different species of birds and wild animals. Another corner of the garden is dotted with food stalls where one can savour the Indian fast foods. The beautiful Indo-Saracenic structure designed by Sir Swinton Jacob formerly called as Albert hall was opened in 1887 as a public museum inside this beautiful garden . It contains a fine collection of sculptures, paintings, decorative objects, natural history specimens, an Egyptian mummy and the celebrated Persian garden carpet. The majestic Albert hall Museum occupies pride of palace situated as it is in the middle of the garden. Ram Niwas Gardens are open all days except Friday, from 10AM to 4.30 PM. There is an entry fee for entrance.

Rajmahal Palace:A small palace, when compared with Rambagh, Rajmahal was established in 1729 for one of the Sisodia princesses so she could distance herself from the intrigues of the Kachchawaha zenana. It later became the Residency occupied by various British Residents. In that status, it also played host to visiting dignitaries from around the world whether Queen Elizabeth II or Jacqueling Kennedy as private guests of the Jaipur royals. It too is now run as a palace hotel.

Jai Mahal Palace:First developed in the mid 18th century and used as a residence for various British officials, Jai Mahal is Jaipur's first palace hotel, though it was considerably smaller before rooms were added to it in the 1980s. The new construction is in amazing harmony with the old structure and the garden that fronts it is a faithful recreation of Babur's first Mughal garden in Dholpur.

Samode:The Nathawat family of Samode served as prime ministers in Jaipur's court and their four-century-old fortified residence some 40 km from Jaipur is able to exhibit the good taste learned at the royal palaces in a more restrained space. The Durbar Hall at Samode Palace is one of the most beautifully painted chambers in Rajasthan. Close by is Samode Bagh, the garden pavilion with charming water channels and ancient trees. In Jaipur itself, the family built itself a townhouse, Samode Haveli, which typifies the style of architecture then in prevalence, including accessible public spaces and restricted private spaces, especially for the women of the family. The paintings at the Haveli are every bit as excellent as at the Palace, if a little less profuse. All three properties are hotels.

Bissau Palace:The Thakurs of Bissau were a bristling, prickly lot, and were often at daggers drawn with others feudal chiefs. While their fort in the shekhawati region was sold a few decades ago, the townhouse in Jaipur, called Bissau Palace, now functions as a hotel. Set in a garden, the rambling building has a quaint colonial air about it, somewhat ruined by the souvenir shops. The building inside recreates turn-of-the-century architecture combining English formality with the Rajput need for open courtyards and separate wing

Narain Niwas:A garden house set in a mango orchard and built by Thakur Narain Singh of Kanota into a personal residence, Narain Niwas is not particularly impressive as far as its architecture goes, though it has a restful ambiance characterised most obviously by the deep verandah where guests now lounge. Its fortified family home, at Kanota, a 40-minute drive from Jaipur has more definitive architecture and visitors can call ahead if they wish to visit or even stay there.

Albert Hall:It is situated in the beautiful Ram Niwas Garden. This beautifully designed Saracenic structure was designed by Sir Swinton Jacob. It was opened in 1887 as a public museum. It contains a rare collection of decorative art objects, paintings, sculptures, natural history specimens, an Egyptian Mummy and the well-known Persian Golden Carpet.Timings: 9.30 a.m. to 4.30 p.m. Foreign Nationals: Entry fee is Rs. 30 , Indian Nationals: Entry fee Rs. 5, free on Monday and closed on Friday. Cameras and Video Cameras are not allowed.

Sisodia Rani Ka Bagh - Jaipur:The terraced Sisodia Rani Ka Bagh (the Garden of Sisodia Queen) is situated on the Jaipur-Agra road at a distance of 10 km from Jaipur. The garden is one of the many summer retreats built in 17th and 18th century by the royals of Jaipur. The garden was created by the queen of Jai Singh II, Sisodia Rani, as an escape from the court intrigues. It is a beautiful escape with landscaped gardens and murals of the life of Lord Krishna, decorating its interiors. Not far from here on the way to Galta are natural springs and temples of Lord Vishnu, Lord Shiva, and Lord Hanuman.

Jagat Shiromani temple:The jagat Shiromani Mandir is a temple dedicated to Lord Krishna built in the Hindu pattern following the Rajput style of architecture. There are idols of Lord Krishna as well as beautiful sculptures of Radha. The temple is popularly associated with the celebrated saint-poetess Mira Bai. There is an elegant marble gateway guarded by intricately carved stone elephants.

Birla Temple:It is large modern marble edifice near Moti Dungri fort. The wealthy industrialist Birla, who was born in Pilani, Rajasthan bought the land on which temple now stands from maharaja for the token of Rs. 1/-. Many deities of the Hindu pantheon are depicted inside the temple. On the outside walls great historical personages & religious figures are depicted including Scrotes, Zarathustra, Christ, Buddha & Confucians. The temple is on Jawaharlal Nehru marg.

Birla Auditorium:The state-of-the-art auditorium is a premier institution for promotion of science, technology and culture. It is one of the largest auditoriums in India

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Economy

Major Crops and their Production: Production: 1999-00 ,(Tonnes), Wheat 4,00,214, Bajra 1,34,909, Barley 1,13,009, Rapeseed and mustard 1,02,500, Pulses 79,534, Gram 58,085, Groundnut 36,006, Sugarcane 8,044, Maize 4,716, Jowar 584, Red chillies 299, Sesamum 36
Minerals:Production: 1999-00 -(Tonnes), Lime stone 55,000, Soap stone 38,356, Kaoline 12,707, Felspar 8,245, Stealite 8,291, Iron ore 8,000, Quartz 1,054
Calcite 5
Infrastructure:-

Electricity: Jaipur district is receiving the hydro-electric power, supplied by the Chambal Hydel System. Out of total 2,131 villages in the district, 2,131 were electrified as on March 2000.

Water: The major rivers passing through the Jaipur district are Banas and Banganga. The ground water resources to the extent of about 28.65 million cubic meter are available in the district.

Educational Facilities/Institutions:(Nos), Universities 1, Colleges 45, Agricultural colleges 2, Engineering colleges 1, Polytechnical colleges 2, Medical colleges 1 Secondary & higher secondary schools 554, Higher primary schools 1,460, Primary schools 2,905, ITIs 6, Agricultural research centre 2

Industrial Scenario:No. of large & medium scale running units: 48, No. of small scale units: 19,544, No. of industrial areas: 19, Bagru, Bassi, Bais Godam, Bindyaka, Dudu, Hirawala, Jetpura, Jhotwara, Kaladera, Kanakpura, Kartarpura, Malviya Nagar, Phulera, Renwal, Sanganeer, Shahpura, Sitapura, Sudarshanpur and Vishwakarma.

Main Industrial Products: Acetylene gas, ACSR conductors, ball bearings, bottling of LPG, ceramics, pottery, cold roll strips, common salt, corrugated boxes, deoiled cakes, durries, dyeing and printing, edible oil, electronic items, engraving on brass items, ferrous and non-ferrous castings, gems and jewellary, general engineering and manufacturing, granite slabs and tiles, hand made paper, handicraft items, halogen auto bulbs, hawai chappals, household electrical appliances, HT steel strips, lodized salt, lamps, laminated springs for railways, marble statues, marble tiles & slabs, moulded plastic components for electronics, perfumes, pigment colours, plastic containers, P.P. multifilament yarn, PVC cables, PVC doors, PVC footwear, canvas shoes, nitro chloro benzene, oxygen gas, port land cement, readymade garments, re-roller products, steel furniture, steel ingots, stone grits, synthetic leather, synthetic suiting & shirtings, tablets and capsules, two way radio and line, washing so ap, wheat maida, suji, atta, woollen carpet, re fined vegetable oil and vanaspati ghee.

Export items: Brass and lacquer work, enamel work, gems and jewellery, granite tiles, handloom, marble statues, printed cloth and textiles, readymade garments and woollen carpets.

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Transportation and Communication

Road Transport: Jaipur city is the capital of the state and is centrally located. The National Highway No.8 links Delhi to Ahmedabad and No.11, linking Bikaner to Agra passes through Jaipur district to a total length of 366 kms. The total length of different types of roads in the district was about 4,102 kms as of March 2000.

Rail Transport: Jaipur district is connected with meter gauge rail route with Sri Ganganagar, Ajmer, Udaipur and Sirohi. Jaipur is also connected with major centres of neighbouring states such as Agra (Uttar Pradesh), Ahmedabad (Gujarat) and Delhi. Recently, Jaipur has got connected in broad gauge, enabling direct connections to cities like Sawai Madhopur, Kota, Jodhpur, Bikaner, Bombay, Howrah, Lucknow, Kanpur & Delhi.

Air Transport: Jaipur is connected by air with Jodhpur, Udaipur, Aurangabad, Delhi, Bombay and outside the country with Paris, London & Dubai.

Communication Facilities:(Nos), Post offices 599, Telegraph offices 143, Telecom centres 9, PCOs 859, Telephone exchanges 150.

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Fairs

Teej Festival - Jaipur:Teej Festival - Facts & Figures
Time of the year First week of August
Places to visit Jaipur, Rajasthan
Duration One to two days

Teej Festival - Teej is especially celebrated in Jaipur, the capital city of Rajasthan.. With the arrival of the monsoons the festival season is unleashed with renewed fervor. And the most important festival to herald the monsoons is Teej - reflecting the magic of the rainy season. Though celebrated primarily in Rajasthan, the women of Bihar and parts of Uttar Pradesh also undertake the ritual fast and prayer during Teej. Peacocks dance in ecstasy, women rejoice by swinging on rope swings in gardens and lilting melodies heralding the festival of Teej echo all round. Teej is celebrated on the third day of the waxing moon in the month of Sawan (July-August). The festival of Teej reflects the magic of the monsoon. It marks the beginning of a series of fairs and festivals, which are celebrated throughout the autumn and winter months culminating in the spring festival of Gangaur. According to a local saying, Teej is the key to open the stock of festivals locked away for the summer after the spring festival.
Gangaur Festival The most important local festival in Rajasthan, Gangaur is held about a fortnight after Holi and the celebrations go on for eighteen days. The festival is held in honor of Gauri, a manifestation of goddess Parvati, the wife of Lord Shiva. The festival is celebrated by girls and married women throughout Rajasthan. Images of Gauri are ornamented and offerings are made. This is also an auspicious time for young people to select their life partners. Colorful processions with the town band, horses, and elaborate palanquins make it a fascinating spectacle.
Elephant Festival The Elephant Festival is a unique event held annually in Jaipur, the capital of the north Indian state of Rajasthan. Groomed to perfection, glittering in gold, row upon row of elephants catwalk before an enthralled audience. The elephants move gracefully in procession, run races, play the regal game of polo, and finally participate in the spring festival of Holi. It is festival time for the elephants.There are deadly and fierce elephant fights in the Jaipur Chaugan or polo field, the venue of the Elephant Festival. During Holi, the Chaugan is brought alive with elephants, dancers, musicians, and onlookers from the entire globe. The festival starts with an impressive procession of the majestic animals lovingly painted and tastefully attired with glittering ornaments and embroidered velvets. The echoing sound of the bankiya (trumpet) fills the atmosphere. A ceremonial procession is recreated with caparisoned elephants, lancers on horses, chariots, camels, cannons, and palanquins. The large beast is the center of attraction in the many races and beauty pageants. Strangely, most of the participants are female elephants. The mahouts (elephant keepers) take great care to decorate the elephants-painting their trunks, foreheads, and feet with floral motifs and adorning them from tusk to tail with interesting trinkets. The mahouts were employed in the Phil Khana, the department of elephant in the royal administration. They played an important role until the princely state was incorporated into the Union and the department because redundant. They, however, have continued their association with the elephants. The game of polo forms the highlight of the festival. Dressed in saffron and red turbans, the teams try to score goals with long sticks and a plastic football. Finally, the tourists are invited to mount the elephants and play Holi. Participants dance with great vigor-the excitement rising to a crescendo. The Jataka stories of Buddhism refer to the tradition of Hastimangala (the Elephant Festival). A royal mount from time immemorial, the elephant has also been a symbol of strength and wealth. For the Rajput kings, the elephants were of especial significance not only during war but also during the royal festivities-a must at royal pageant. Nishan-ka-hathi, the flag carrier, led the procession. The king always mounted a caparisoned elephant. Special hunting programs and elephant fights were organized to entertain the royal guests. Jaipur was a favorite with the important personalities of the British Raj and the Maharajas always arranged for their guests of honor elephant rides up to the Amber palace. Even today, the mahouts take tourists up to the Amber Palace on elephant back. Rajasthan Tourism revived the tradition by including the Elephant Festival in the cultural calendar. The present-day pageant, originated only a decade ago, was devised especially with the tourist in mind. The inclusion of the game of polo is more recent, being inspired by a cartoon in Punch magazine that showed the Indian polo team atop an elephant after it won all the international tournaments. Every year on the day after Holi, the old stadium at Jaipur, the Chaugan (originally planned for elephants), forms the venue for a spectacular jamboree.


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CLIMATE

Climate and Rainfall:The climate of the district is dry and healthy and is subject to extremeness of cold and heat at various places.The minimum and maximum temperatures recorded in the district varies from 8.0 to 48 degree celsiusNormal annual rainfall is 55.64 cms

Climate :Mean Max. Mean Min.

Summer :Max 46° C Min 25.8° C

Winter :Max 22°C Min 7°C

Rainfall :60 to 65 cms.

Summer :Light Cotton

Winter :Light Woolen

Best Season : September-March

 

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Land       

Area:14,068 sq. km. (4.11 per cent of the State)

Location:The district is situated in the eastern part of Rajasthan. It is bound in the north by Sikar and Alwar, in South by Tonk, Ajmer and Sawai Madhopur. Nagaur, Sikar and Ajmer in the west and in east by Bharatpur and Dausa districts.

Distance from major Cities:Delhi-261 kms.,Ahmedabad-625 kms., Chandigarh-510 kms,. Mumbai-1,176 kms., Calcutta-1,472 kms., Agra-246 kms.

Altitude : 431 Mts.

Latitude : 26.55 N

Longitude : 75.52E

 

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History                                             

Introduction to Jaipur Jaipur the capital city of the northern Indian state of Rajasthan is one of the most vibrant and colorful cities of India. Famous for its strikingly beautiful culture, forts, palaces, and lakes the city basks in the glory of a rich and eventful past. Jaipur is a planned city which is made all the more attractive by the pink wash that most buildings are periodically given. Besides, it remains the only city in the world that symbolises the nine divisions of the universe, through nine rectangular sectors. It is for these reasons that Jaipur has been included on the popular tourist circuit "Golden Triangle" of Delhi-Jaipur-Agra. Jaipur, (City of Victory) was founded in 1727 by Maharaja Jai Singh II, a Kachhwaha Rajput, who ruled from 1699-1744. Being a brainchild of the maharaja, he took special interest in the designing planning and execution works of Jaipur.Among all the states of erstwhile princely India, Rajputana is undoubtedly the one with the most martial record - warring factions locked in deadly warfare, thousands of royal ladies consigning themselves to flames preferring death to dishonor. In this land, towering forts were built as much for ostentation as for intimidating the enemy; and desperate battles were fought by rulers who were great patrons of the arts. The city of Jaipur is the prime example of the culture and traditions of this region.The royal city of Jaipur owes its name to the founder of the city. It was Great Warrior King Sawai Jai Singh II (1693-1743) who laid the foundation of the city in 1627. He was one of the few kings of his time having a keen eye for details and a very good scientific temper.
Architectural Heritage:Jaipur: Royal Capital:The capital of Rajasthan, Jaipur is not only the gateway of the state, it is also the most natural place to begin a discovery of Rajasthan's multifaceted attractions. For visitors unfamiliar with its history, a little explanation may be necessary, since it will aid their understanding of one of the most fascinating cities of India.As a city, Jaipur is fairly young, less than three centuries old. It was laid out by Maharaja Sawai Jai Singh II of the Kachchawaha dynasty from Amber which, less than 10 km away, was the former capital of the state. Markets ad residential areas have bridged this gap so that, for all practical purposes, Jaipur includes Amber with its sway.Like most Rajput kings, the Kachchawahas claim descent form the noble line of Shri Rama, the prince-hero whose exploits are the subject of the great Hindu epic, the Rama-yana. If one were to zip through history to arrive in the 10th century, it would bring us face to face with Dhola Rai whose throne at Narwar (close to Gwalior, in Madhya Pradesh) was usurped by his uncle. However, the royal prince was welcomed as a bridegroom into the feudal principality of Dausa, close to Amber, and he soon made himself at home, even claiming the right to rule. His son, who accepted the hospitality of the Mina tribesmen of Amber, betrayed it similarly and established the foundations of a dynasty that was to become renowned for its power and wealth. In more recent times, the Jaipuris, as they were called, came to represent the glamorous face of princely India, and were the cynosure of the media in Western society.Having won themselves their kingdom, the Kachchawahas strengthened their stronghold through strategic matrimonial alliances with the Mughals who ruled over much of India from their forts at Delhi and Agra. Though their faiths were different, it established a sense of kinship between the more powerful Mughals and the valiant Kachchawahas, and laid the foundation for a similar relationship with other Rajput states.The Mughal still occupied Delhi when Jai Singh, hardly a man yet when he was anointed maharaja of Amber, was taken to meet Emperor Aurangzeb who, as a conservative Muslim, had spent little time befriending his Hindu neighbours. Grasping Jai Singh's hands in his own. Aurangzeb asked him: "How do you expect to be powerful with your hands tied thus?" Jai Singh was quick-witted, and replied: "Just as a bridegroom takes his bride's hands following their betrothal, in a sacred vow to protect her, so you, Sire, have held my hands. What do I fear now that the Mughal himself has taken my hands in his?" Aurangzeb was pleased and immediately granted the young prince the hereditary title of 'Sawai' placing the Kachchawaha family a 'quarter' above the other Rajput families.But the Mughal was ageing. He had no strong successors. Towards the east, the British were eroding the existing power structure from their capital in Calcutta. The north, however, after several centuries of invasions and rife, was quiet. Jai Singh seized the opportunity to pamper himself with a new capital. Moving out of the hilltop Amber, he descended to the plains below, and planned a modern capital with a Bengali architect, Vidyadhar, whose instinct for planning he trusted implicitly.Jaipur has been laid according to the conventional nine-grid pattern that astrologers believe to be lucky, and which has been recommended in the ancient Indian treatise on architecture. Each grid consists of a square, and these have been planned so that, at the heart of the city is the City Palace. Spread around it, in rows, are public buildings, the residences of noblemen, the living and trading quarters of merchants and artisans. Straight, wide roads run through the city, while a high crenellated wall that forms its defense is pierced with seven gateways that serve as entry points. Today, these walls may be more difficult to spot since the city has grown far beyond its original plan, but they are still there, proof that though Jaipur saw no great siege, it was more than adequately prepared for it.Vidyadhar was a strict planner and even the drawings for private residences and trading establishments had to be submitted to his stringent gaze, and meet with his approval. This is the reason for the striking similarity in the facades of the buildings in even the bazaars of the old city, though it is a myth that he was also responsible for the uniform colour, labelled Indian pink. This has given Jaipur its euphemistic name, Pink City. However, the reason for the autumnal colours on the facades of all old city buildings was a forthcoming trip by the Prince of Wales (later King Edward VII) in 1876 for whom the capital was being decorated. It was decided to paint the entire city white for the occasion, but eventually the pink was chosen because it came closest to the colour of sandstone which many of the buildings were made. To date, the tradition of painting the buildings pink has continued, though with the highlights picked out in white.Having outgrown the original nine grids, Jaipur has spread in all directions, but its market area are still characterised by streets and areas where work of a certain kind is found. For example, there is a separate street for marble-workers, and another textiles, or for jewellery.Jaipur's architectural planning may have been ancient, but its execution was definitely modern. Best represented by the City Palace complex, it brought together all that was excellent in Rajput and Mughal architecture, creating a new tradition that found wide currency over much of north India. As in the Mughal tradition, the Durbar or court areas became much more open, characterised by a series of arched pavilions held on delicately crafted pillars. Ornamentation had always been a part of the state's architectural heritage, now it became much more opulent. The private wings of the family also extended their entertainment areas. Since defence was no longer a primary concern, larger, more ornamental windows were built to overlook the streets or courtyards outside these wings. Gardens were no longer planned within the internal courtyards only, but were added to the external vistas, and water, a basic feature of Mughal palaces and gardens, was utilised in a similar fashion, in canals and fountains.Some of these experiments had begun at Amber itself, in the palaces that were its more recent additions. A major distinguishing feature of the Mughal palaces was the use of marble and pietra dura inlay. Amber and Jaipur used marble more judiciously, but were able to achieve the same effect on polished wall surfaces using a mixture of lime and eggshell, in a style that was referred to as araish. Rather than stone inlay, it preferred the delicate art of painting, especially religious and historical sequences, the depiction of which is forbidden in Islamic art. The concept of the Sheesh Mahal or 'Palace of Mirrors', however, was equally favoured in both architectural traditions: it consists of small, even sized mirrors used to embellish all surfaces so that, when a match is lit in the darkened room, its flame bounces off then giving millions of reflections.Such ostentation, however, was usually limited, and good taste was evident in the manner in which the walls were painted, or the pierced windows placed. Amber represents the early phases of Kachchawaha architecture. The foundations of the fort were laid in 1592 by Maharaja Man Singh. Seen from the outside, the fortifications are impressive. Coming upon it when entering or exiting Jaipur, it makes one gasp, but it must have sent a chill up the spine of its foes. A steep ramp leads to Jai Pol, the Gate of Victory, named after Jai Singh I. Today, elephants carry tourists up the ramp, but it is not difficult to imagine pennant carrying armies setting off on horseback along this majestic path.The architecture within spans several centuries and even after the establishment of Jaipur, the royal family would come here for ceremonial occasions and to pray at the Kali shrine. The image enshirned within the temple is that of Shila mata, the Goddess of War, carried here by Maharaja Man Singh all the way from Jessore in Bengal. Visitors today ca also see the Diwan-i-Am or Hall of Public Audience, a sight denied even to Emperor Akbar at the height of his glory. Legend has it that reports came to Akbar of Man Singh's splendid durbar hall as a Mughal feudatory, Amber did not have the permission to hold public audiences, but Akbar, it appears, was more entranced by Amber's reported "tier upon tier of beautiful buildings". Two emissaries were despatched to find out if the durbar hall was as beautiful as its description but Man Singh, fearful that the Mughl would covet it, had the hall covered with stucco plaster, concealing its decorations for centuries together.Amber had reason to be concerned since its history had seen skirmishes with other Rajput kingdoms, and had at various times faced the armies of the sultans of Gujarat, the Marathas, and the Mughals. No wonder its architecture, like that of other Rajput palaces, consists of narrow passages and staircases that can be defended by a single swordsman, ridged ramps to allow the cavalry to move within the fortifications, high walls that cannot be easily scaled, and windows at only the highest levels. While the exterior is forbidding, the interiors are lavished with decoration since the royals, and especially the women, spent almost all their time within the fortified palaces.


 

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